The stronger the character in terms of capacity for both love and rage the more compelling they are and it is in this that the true character is birthed. Love and rage are in essence the nests in which the characters are cared for and nourished and then allowed to fly free. I find that I must dip into my own capacity for primal feelings of love and rage in order to discover that aspect of myself that is like the character, has been like or felt like the character feels in the situation. It’s critical to always allow this to move the story forward and not get stuck by over thinking the character, to just hit and go into the emotional life of the character and let the character then tell me what he or she wants to express. The rage in particular can be horrifying because of our human capacity to inflict injury on others or society. To then express this on the page leaves me feeling vulnerable yet also true to myself within this dimension of storytelling. It’s mind boggling for me to experience the rage of the character and what the character like Archbishop William Anarch in The Unholy wants to do and does to innocent human beings. Claire Sanchez, the medicine woman, on the other hand needs to find rage, a healthy aggression, that has gone awry in Anarch, and only by doing this, if she can, will she potentially be able to discover the strength to fight the powerful archbishop.